Evaluate the effectiveness of your compression - minus the extra loudness - by grouping the two channels and turning them down. 6. Use sidechain compression. Sidechain compression is ideal for balancing the dynamic interplay of drums and other mix elements. Instead of using a channel's input signal to trigger a compressor's sidechain circuit
Trick 2: Ducking the Bass Guitar. Another popular thing to do is to use a compressor's side chaining feature to duck the bass behind the bass drum. The compressor becomes aware of each kick drum hit and compresses the bass guitar whenever the kick drum is playing. This can tighten up the mix considerably, especially if you have a thick bass
This isn’t an easy mix to pull off as you’ll need to perform a lot of actions to make it possible. As an example lets go from a house track to a drum and bass track. So from 125 BPM to 173BPM. First you need to beat match or sync the incoming track to your master track. So in our example this is slowing down the drum & bass track to 125 BPM.
Insert a compressor on the bass buss. Ensure it has a sidechain or “key input” such as dbx 160 and Renaissance Compressor. Add a send to your spare aux channel from your kick drum channel. When you go back to your compressor, select the spare aux channel. The compressor will now be the trigger or “key input.”.

3) Kick and Bass Mixing. This being Drum & Bass, it’s essential that your two lowest elements – the track’s kick and its bass – work well together as a unit, yet give each other space to be heard. The first port of call is tuning – see where your kick and bass energy lie, and if they’re at different ‘notes’ in the frequency

So let’s roll off the bottom-end of all my samples aside from the bass parts. It’s best to roll off 0hz to 250hz frequencies with your EQ. 4. Thicken up the bass. This is sounding better already, but if we want to rattle trunks and rock clubs, we need to add some saturation to those 808’s. Lexcp.
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    • drum and bass mixing tips